Emma began her singing training at the University of Otago, graduating with a BA and Bmus (hons) in Voice. She then completed a Professional Performance Diploma at the Royal Northern College of Music in Manchester, UK (PPRNCM). Emma has been a regular concert soloist and is a member of the New Zealand Opera Chorus. She is also an experienced singing teacher, vocal coach, and high school English and Drama teacher.

Megan Flint has a background in both education and music as a teacher, conductor and singer. She is active within Music Education New Zealand Aotearoa (MENZA) and the Association of Choral Directors (ACD) as a board member.

Megan has a passion for working with treble choirs and is the co-author of Hear Our Voices, a handbook for leaders of children’s choirs. She is a national conducting mentor for the New Zealand Choral Federation, presenting their Singing Matters programmes for primary school song leaders. Megan sings with Voices New Zealand and conducts a community choir in Taupō, New Zealand.

Megan directs the activities of Kodály Aotearoa and her commitment to ‘music for all’ guides her passion for music education. A current doctoral candidate in music education, she is committed to ensuring that all teachers and students can access and acquire knowledge and experiences that enable them to engage with music knowledgeably: as performers, creators, listeners and innovators.

Megan Flint (M.Mus.(Hons), B.Ed., Dip. Tchg., ATCL (Voice)), has a background in education and music. She is a past member of the New Zealand National Youth Choir (1997-1999) and sings with Voices New Zealand Chamber Choir (2006-present) and the University of Auckland Chamber Choir (2006- present).

Megan completed her Masters degree in Choral Conducting at The University of Auckland with Dr Karen Grylls and was recently awarded the Australian Kodaly Certificate by the Kodaly Music Education Institute of Autralia. She is currently a full-time Music Specialist at Royal Oak Primary School in Auckland, teaching classroom music, choirs and instrumental programmes.

Megan is the co-author of Hear Our Voices, a handbook for leaders of children’s choirs and presents the successful national workshop series Primary Gestures for the NZ Choral Federation.

Anna grew up in Christchurch, where she spent her formative years learning piano and violin, playing in competitions and orchestras and later singing in choirs. She was a member of the NZ Youth Choir for six years, during which time she toured to the Llangollen International Musical Eisteddfod in Wales where the choir won the coveted ‘Choir of the World’ title. 

Anna has a particular interest in early music; currently she sings regularly with Wellington-based early music ensembles The Tudor Consort and The Queen’s Closet. Musical highlights have included performing as Venus in The Queen’s Closet’s presentation of The Judgment of Paris as well as a leading role in their production of Cloverton, featuring music from the Restoration. Other projects have included singing as a soloist in a Bach Cantata in a service to celebrate the 500th anniversary of the Reformation, and performing on the soundtrack for Hunt for the Wilderpeople with members of Baroque Voices. 

Anna is a Registered Music Therapist, which involves running a busy private practice, and working one day at the Wellington Early Intervention Trust. In addition to this, she directs choirs at Kelburn Normal School, teaches singing, and leads the Karori Community Singers. She lives in Wellington with her husband Michael Stewart and their two children, Alexander and Zoë. 

Anna Sedcole grew up playing the piano and violin, and later took up singing studies, completing her ATCL in 2000. Anna was a member of the TOWER New Zealand Youth Choir for over six years, during which time she toured with the choir to Europe in 1999 (winning the ‘Choir of the World’ title at the International Music Eisteddfod in Llangollen, Wales) and to Texas in 2001.

Isaac Stone teaches classroom music, classical singing and leads the choral programme at Tawa College, including the chamber choir Blue Notes which recently received a Gold Award at the NZCF Big Sing Finale. He is the founding musical director of the innovative Wellington-based choir Supertonic and sings in a number of choirs in Wellington, including Tudor Consort and Inspirare.

Isaac Stone teaches classroom music, classical singing and leads the choral programme at Tawa College, including the chamber choir Blue Notes which recently received a Gold Award at the NZCF Big Sing Finale. He is the founding musical director of the innovative Wellington-based choir Supertonic and sings in a number of choirs in Wellington, including Tudor Consort and Inspirare.

Rowan has sung with Voices New Zealand since 1999, having sung in both the NZ Secondary Students Choir and NZ Youth Choir before that. He is HOD Music at Chilton Saint James School in Lower Hutt. Rowan is the former Director of Choirs at Auckland’s Holy Trinity Cathedral, the Auckland Youth Choir and the Aotearoa Academy Choir. Now based in Wellington, he conducts the Wellington Youth Choir, the choirs at his school and is the newly appointed Musical Director for the New Zealand Youth Choir.

James was a member of the New Zealand Youth Choir from 2000-2004. He has been a Lay Clerk at Wellington Cathedral and a member of the Tudor Consort, the Auckland Chamber Choir and Musica Sacra.

James currently works in IT in Auckland and sings at Saint Matthew-in-the-City.

Dr Gregory Camp has sung with Voices New Zealand since 2017. He is a Senior Lecturer at the University of Auckland School of Music, where he teaches a wide variety of topics in musicology, music theory, and musicianship. Recent research includes Linguistics for Singers (Routledge, 2023), a manual that guides musicians through the poetic texts they work with via a holistic and comparative approach, and chapters on Disney choral arrangements, community singing in Disney texts, and the aesthetics of the Disney Channel Original Musical corpus. A monograph on music in the Disney theme parks is forthcoming with Routledge, and next year will see an anthology of opera libretto translations with Oxford Worlds Classics. His doctoral research, undertaken at The Queen’s College, Oxford, was on the modern stage history of Monteverdi’s operas.